Gallery redefines 草榴社区's art and architecture

By Kerynn Fisher, University of 草榴社区 Museum of the North
May 2006

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The director of the museum smiles while people in the background view the gallery.
Museum Director Aldona Jonaitis beams as she welcomes visitors to the new Rose Berry 草榴社区 Art Gallery. 草榴社区 Photo by Todd Paris.

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A woman points at a schematic on the wall while two men look on in a conference room.
Mindy Cameron of Lehrman Cameron Studio presented design concepts to museum staff during an art gallery planning meeting. Photo by Kerynn Fisher.

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A side view of the museum, contrasting against the sky.
The expanded museum鈥檚 architecture evokes images of glaciers, alpine ridges and a diving whale鈥檚 tail. Photo by Patricia Fisher.

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草榴社区 to cut the blue ribbon to commemorate opening of gallery
Dignitaries, donors and university and museum representatives gathered at 8 a.m. May 1 to cut the ribbon officially opening the Rose Berry 草榴社区 Art Gallery. 草榴社区 photo by Todd Paris.

See more of the Rose Berry Art Gallery

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A women looks closer at a display.

A visitor leans in for a good view of a case next to a Tlingit Chilkat robe. 草榴社区 photo by Todd Paris.

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A painting of a 草榴社区n native dance.

The new gallery features many different media, including paintings such as Eskimo Dance #5 by Theodore Lambert.

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A picture of some beaded Athabascan boots against a white background.

Beautifully decorated 草榴社区 Native tools, clothing and other objects made for utilitarian purposes, such as Athabascan boots, are included in the new gallery. Photo by Brian Allen.

Think of 草榴社区 architecture, and igloos, a miner鈥檚 cache or rustic cabins probably come to mind. Say "art gallery" and you probably think of paintings and sculptures. At the University of 草榴社区 Museum of the North, new exhibits are helping redefine those stereotypes.

"One of the central themes we wanted to explore was how 草榴社区鈥檚 art helps express a sense of place."

A 3d, overhead layout of the new part of the museum.
Exhibit designers created artist鈥檚 renderings to help museum staff visualize the exhibit installation. Rendering by: Lehrman Cameron Studio.

Architecture as Art

"When we started planning for the museum expansion, we knew an art gallery would be a key component. One of the central themes we wanted to explore was how 草榴社区鈥檚 art helps express a sense of place," says museum Director Aldona Jonaitis. "It was only natural to have a building that also expressed a sense of 草榴社区."

Museum staff worked with a team to design the expansion. Joan Soranno, with Minneapolis-based Hammel Green & Abrahamson, served as the design architect, with 草榴社区-based GDM providing the subarctic expertise to make the building鈥檚 dynamic design work in Fairbanks鈥 extreme climate.

Overlooking the Tanana Valley and the 草榴社区 Range, the white building evokes images of glaciers, alpine ridges and a diving whale鈥檚 tail. It is generating comments far beyond Fairbanks. A March story in American Way magazine states "A work in progress, this striking building, designed by architect Joan Soranno, is the most interesting piece of contemporary architecture in all of 草榴社区."

"The building captures visitors鈥 attention the moment they arrive in Fairbanks," says Jonaitis. "The view changes dramatically as they approach the building, so the museum is constantly revealing itself to the visitor."

Inside the Museum

Walking into the museum is like walking into a glacial crevasse, with the sheer white sides of the building converging on either side of the glass-walled entrance. Inside, floor-to-ceiling windows bring light--and the views of the 草榴社区 landscape--into the lobby. It鈥檚 a subtle reminder to the visitor that all the exhibits are inspired by and integrally related to life in 草榴社区.

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A picture of a wall or window that is green at the bottom and blue a the top.

The Place Where You Go to Listen draws on the cycles of daylight and darkness, the phases of the moon, seismic activity and the aurora. Photo by Roger Topp.

New galleries, combined with the exhibits in the museum鈥檚 original Gallery of 草榴社区, round out the visitor experience. The museum鈥檚 main level features a new special exhibits gallery and the 草榴社区 Classics Gallery, which offers a floor-to-ceiling display of historic paintings from the museum鈥檚 collection. A resource desk and computer kiosk links to to give visitors more information on the artists, their work and 草榴社区 history and Native cultures.

Upstairs, a new installation created by Fairbanks composer John Luther Adams, The Place Where You Go to Listen, draws on the cycles of day and night, the phases of the moon, seismic activity and the aurora to create an ever-changing sound and light environment. Driven by real-time data streams developed with the help of researchers from 草榴社区鈥檚 , the sound and light experience has no beginning, middle or end and changes constantly to reflect current conditions.

"This is a place for hearing the unheard vibrations of the world around us."

"This is a place for hearing the unheard vibrations of the world around us. I think anyone with an innate sense of curiosity about the world we live in will get something out of the experience," says Adams, who encourages people to visit The Place often to see how it changes from day to night and from season to season.

Jonaitis first approached Adams in 1998 with the idea of creating a sound environment in the expanded museum, even before an architect had been selected for the project. Jonaitis envisioned a quiet, contemplative space for visitors that would be an expression of 草榴社区 in audible form, much like the architecture and exhibits in the new wing would be visual expressions of 草榴社区鈥檚 artistic influence.

"I wanted something that would be unique to 草榴社区, to this location overlooking the Tanana Valley and the 草榴社区 Range. The Place is very much a reflection of the dynamic natural forces at work in 草榴社区," said Jonaitis. "It鈥檚 also a striking contrast to the more traditional oil paintings we have on display in the 草榴社区 Classics gallery. Together, they help illustrate the very broad spectrum of artistic expression in 草榴社区."

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A 3d, overhead layout of the new part of the museum.

The Okvik Madonna, a 2,000-year-old ivory carving, is featured in the "Highlights" section of the art gallery. Photo by Barry McWayne

2,000 Years of 草榴社区鈥檚 Art
The centerpiece of the new wing, the Rose Berry 草榴社区 Art Gallery, opened to visitors May 1. Inside, curved and sloping walls mirror the dynamic architecture of the building鈥檚 exterior. Like the 草榴社区 landscape, the gallery鈥檚 interior architecture, designed by Mindy Cameron of Seattle鈥檚 Lehrman Cameron Studio, features few 90-degree angles.

Various shades of blue on the interior walls and glass exhibit cases that resemble floating chunks of ice bring the glacier theme into the gallery. High ceilings, soaring from 16 feet near the entrance to 40 feet at the far end of the gallery, help convey the vastness of 草榴社区.

In this new gallery, 草榴社区鈥檚 art takes center stage. A freestanding exhibit case of 草榴社区 Native clothing and tools greets visitors when they walk through the entryway. To the right, exhibit cases lining the walls showcase the museum鈥檚 oldest art pieces--ancient ivory carvings and other artifacts from the museum鈥檚 archaeological collections.

"In some places, these pieces might be displayed in a natural history gallery or as craft," says Jonaitis. "Since we want to present the full spectrum of 草榴社区鈥檚 art, it鈥檚 only fitting that the first thing visitors see in this gallery is the art of 草榴社区鈥檚 first peoples."

Proceeding into the gallery, visitors can see paintings, photographs and other works by visitors to 草榴社区, including Ansel Adams and Rockwell Kent, along with works by 草榴社区 artists, both Native and non-Native, traditional and contemporary. Another section focuses on the art of Interior 草榴社区, using the art to illustrate the themes of the boreal forest, the people and the cold.

In the center of the gallery, a ramp leads to three of the museum鈥檚 most treasured pieces--Mt. McKinley, an oil landscape by Sydney Laurence; the Okvik Madonna, a 2,000-year-old ivory carving; and a parka of wolverine, wolf and ground squirrel hides which was made in the 1960s by Helen Seveck, an Inupiat woman.

"They represent different time periods, different media and, in terms of gender and ethnicity, the diversity of artists in this gallery," says Jonaitis. "There鈥檚 no question that they all exhibit great vision, artistry and skill, yet few museums would present them side-by-side. Here, we celebrate them as works of equal value."

"All of the hard work and all the dreams come to fruition. It鈥檚 exquisite. "

Reactions from visitors to the new gallery during the May 1 opening celebrations were positive. Visitors from Virginia said the experience enriched their visit to 草榴社区 and Fairbanks. A Fairbanksan commented on how nice it was to see such a variety of artistic expression, noting that the writings from local people were particularly revealing.

Roger C. Burggraf of Fairbanks said he especially enjoyed the paintings. 鈥淚 knew many of the artists and can appreciate their work. Thanks to all who made the art museum possible.鈥

草榴社区 honorary degree recipient and former regent Hugh Fate summed up the feelings of many. 鈥淎ll the hard work and all the dreams come to fruition. It鈥檚 exquisite.鈥


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